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Efor Helps Shevek Escape the University Campus

The Dispossessed

Efor’s assistance enables Shevek to leave the university campus despite restrictions imposed by Saio Pae and to seek contact with underground opponents in Nio Esseia. The escape is a turning point from private discontent to direct political engagement: Efor knows the danger, and helps anyway, supplying a contact, a route, and a cover story that carry Shevek beyond the campus checkpoints.

The Decision to Help

Shevek first presses Efor for a way to reach the people who have approached him. Efor knows where the request comes from, but initially holds back. He calls the business dangerous and, after a long pause, explains the risk from his own position: the authorities want Shevek, the underground needs him, and Shevek’s conspicuous appearance would make it difficult for him to hide. Efor fears that Shevek could be caught and shot. He has been approached repeatedly, he says, but has discouraged the underground from involving Shevek because he wants him to return to the place where people are free.

That caution is also personal. Efor has worked for Shevek for eight months and says he has come to like and admire him. His warning is not indifference to the political struggle; it is a fear of what that struggle may cost Shevek, and of what Efor himself would feel if his help led to Shevek’s death. Shevek answers that he cannot go back yet and wants to meet the underground. His insistence turns Efor’s hesitation into a choice: after standing silent, Efor gives him a name and a destination.

A Contact and a Route Off Campus

Efor identifies Tuio Maedda as the person Shevek should seek, at the grocery in Joking Lane, Old Town. The address gives Shevek a concrete first step into a network he has so far known only through approaches relayed to him. But the campus restrictions make even reaching that contact difficult. Shevek tells Efor that Saio Pae has forbidden him to leave and could have him stopped if he takes the train.

Efor proposes a taxi instead. He knows Kae Oimon at the stand and suggests that the driver can take Shevek out by the stairs and along Grove Road, where there is no checkpoint like the one at the main gate. The route is a small but consequential piece of practical knowledge: leaving by the obvious gate would mean certain interception, while the back way offers a chance to get away unseen. Shevek decides to go immediately. It is half past seven, and he wants the night to find out where he should go.

Efor offers to pack a bag, but Shevek is already moving. He has money, though his costly day with Vea has taken most of his ready cash. When Efor returns from calling the taxi, Shevek is waiting outside the hall door with his coat on. Efor directs him downstairs and tells him to use the back door; the driver will be there in five minutes. His instructions are precise, shaped around the danger of the checkpoint rather than any guarantee that the escape will be safe.

Concealment and Farewell

Shevek asks whether Efor will be blamed for helping him. Whispering, Efor says that he will claim not to know Shevek has gone: in the morning, he will say Shevek has not yet got up and is still sleeping, keeping the others away for a while. The deception is modest and temporary, but it gives Shevek a crucial interval before his absence is discovered. Efor accepts the personal risk of lying on Shevek’s behalf without knowing what consequences may follow.

Before leaving, Shevek takes Efor by the shoulders, embraces him, and shakes his hand. He thanks him; Efor, bewildered, wishes him good luck. The gestures register the change in their relationship from employer and servant to people bound by a dangerous act of mutual trust. Shevek is already gone when Efor speaks. The departure is abrupt, but not careless: it depends on Efor’s local knowledge, a driver he trusts, a route around the checkpoint, and a story that can delay questions.

The City Beyond the Campus

The taxi ride to Nio costs ten units. Shevek gets out at a major subway station and uses his map to travel into Old Town, a part of the city he has never seen. Joking Lane does not appear on the map, so he leaves the train at Old Town’s central stop. The escape has taken him beyond the university’s controlled space, but reaching the district does not mean that he knows how to navigate it.

At street level, the setting sharply contrasts with the Nio Esseia Shevek recognizes. In the dark, fine rain, the lampposts are unlit or broken, and light escapes only from shuttered windows and an open doorway where men gather to talk. The pavement is greasy and strewn with scraps and refuse; most shopfronts are closed behind heavy shutters, while one gutted by fire remains black, with shards of glass still in its frames. People pass as hurried, silent shadows. The scene makes visible the social conditions awaiting Shevek outside the university: his route toward political allies leads first through an unfamiliar and visibly neglected part of the city.

An apparently old woman climbs the subway stairs behind him, and Shevek turns to ask her the way. Under the yellow globe by the entrance, he sees that she is not even thirty; her lined face, hostile stare, and laborious climb have made her seem much older. This encounter sharpens the departure’s consequence. Efor has helped Shevek reach the underground’s address, but he has also brought him into a city whose hardship was hidden from him on campus. The escape therefore opens not onto safety or immediate understanding, but onto the difficult work of finding his way among people whose lives he has not known.

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